3/31/2024 0 Comments Tvpaint 11 pro mac magnetThere are various applications for creating animations but for creating realistic raster-designing animations TVPaint Animation Pro 11 is a reliable environment. TVPaint Animation 11 Professional Edition Review System Requirements for TVPaint Animation 11 Professional Edition.Features of TVPaint Animation 11 Professional Edition.TVPaint Animation 11 Professional Edition Review.It should be covered in the User Manual and even better with a video demonstrating the results when the different values in 'Recompute Exposure With Threshold' are applied. The only explanation I've seen is here:, but that's too hidden. However, it would still be useful if the User Manual would include a clear explanation of what the values represent when recomputing the exposure threshold when should we use a value of 1.00, 2.00, 3.00, 4.00, 5.00 and what's the difference between those values? Also, why does any value above 5.00 seem to result in recomputing the whole layer to a single image ? (if there is no difference in results using any value between 6.00 - 100.00, then why are those values there ?) As far as I can tell there is nothing in the User Manual explaining what the values in 'Recompute Exposure With Threshold' represent. Mov files exported with ProRes 4444 and ProRes 422 also work, although ProRes 4444 and ProRes 422 are technically considered "lossy", not lossless. mov file imports into TVPaint with the correct exposures, no duplicate frames. mov export codec used is Lossless then the. This helped me understand how the codec makes a difference. Slowtiger wrote: ↑, 08:10 Any lossy codec will result in frames which may look identical but aren't. (it raises the question: threshold of what? what's the starting point that defines the threshold we're working within ?) Seems like it's just trial and error to find the best result. I wish there were some definition in the User Manual of precisely what the values represent when recalculating the exposure threshold. It removes some duplicate exposures, but it also removes some unique exposures that should have been retained. Whatever number I set it for between 1.00 - 5.00 (over 5.00 seems useless, because it removes almost all the exposures) none of the results precisely recalculate the exposures to what they were in the original animation. if I set it to 1.00 or 2.00 or 4.00, 5.00 it gives different results. I'm never quite sure what the values represent in the Recalculate Exposures With Threshold. You can use TVP's function of recalculating frames with a threshold, instead of the fixed one. I think that solves my original question.Īny lossy codec will result in frames which may look identical but aren't. So a mov file with Lossless codec or almost lossless (ProRes 422/ProRes 4444) codec will behave the same as a PNG image sequence and will not show duplicate images on the Timeline when imported into TVPaint. mov file will import into TVPaint with the correct exposures, no duplicate frames. UPDATE (for anyone looking at this topic in the future). Is there a specific codec or other compression settings to use to make sure that a video file will import without duplicate images being repeated ? But with other video files TVPaint imports every frame as an image on the timeline. Some video files behave the same as the image sequence import, where identical frames are not repeated on the timeline, so that only the first occurrence of the image is imported and then it is held for however many frames until the next image occurs. mov or.mp4 files with similarly repeated images, the results are inconsistent. When importing an image sequence where there are duplicate images - for example, Image_0003 is repeated on Image_0004, Image_0005, Image_0006 - then instead of creating identical duplicate instances on the timeline, TVPaint will import the first occurrence of that image (Image_0003) and expose it for a total of 4 frames on the timeline.
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